In Bottega Veneta


At an event for a jewellery brand she endorses, Freida was seen wearing a striped Bottega Veneta dress with knot clutch also from the label but with black and gold Ferragamo sandals.

I liked the dress and the sandals, but I did find the clutch with its contrast piping a bit of a distraction from the overall look. A solid version of the same clutch might not have grabbed eyeballs as this one did.

P.S. That red lip looks killer on her.

Freida Pinto at ForeverMark Event in NYC

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Sari Style


Wearing what seemed like an Anavila sari, Shabana attended an art exhibition on Wednesday. While I love the addition of the rose in the hair, I did find it a bit overkill just because she had that interesting bib necklace on.

I did love the sari on her.

On an aside, someone tell me, how do the roses stay fresh? I tried one on and it wilted within 15 minutes! #Facepalm

Photo Credit: Viral Bhayani

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In Anavila


As she was headed in to the airport, Karisma was photographed in an Anavila dress. Her choice of accessories included a Chanel bag and pair of Louboutin booties. She made it all work!

Karisma Kapoor Photographed At The Airport

Karisma Kapoor Photographed At The Airport

Photo Credit: Viral Bhayani

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In Barrus


For the screening of her movie, Kriti picked a pale-pink lace dress from Barrus to wear. A pair of Charles and Keith sandals rounded out the actor’s look. She wore her dress well.

Kriti Kharbanda At Shaadi Mein Zaroor Aana Screening

Photo Credit: Viral Bhayani

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Spotlight: Vaya Weaving Heritage


A love affair with the Maheshwari sari that started in the late 1980s led to a larger love of textiles and then a career in a Maheshwar non-profit for 22 years. Growing up admiring her mother’s elegance who wore a gorgeous organdie every day, meet Mira Sagar, the force behind Vaya Heritage Weaves. Excerpts from a chat:

What prompted you to launch Vaya?
It was always a dream to have a store for handwoven textiles showcasing weaves from all over the country, spanning various techniques and price points, but also contemporary enough that my daughter would also find something in the same store. Bappaditya of Bailou, Gaurang Shah and I shared a common vision about the handwoven sari — that it need not be drab and boring — and that was instrumental for the launch of Vaya. I strongly believe that if we convince the generation in the 30s age bracket to appreciate the culture, tradition and heritage that we often take for granted, we have possibly saved it for the coming 30 to 40 years making the ‘revival’ forward their responsibility.

Having worked with weavers for more than two decades, what are some learnings?
The important thing I’ve learned is to respect a weaver’s work, his or her time spent on the loom and never to bargain. It is only then that weavers are willing to improvise and produce the best quality textile. I also learned that weaving is a form of meditation and when the weaver is at peace with himself /herself, the result is an exquisite, flawless textile.

What are the challenges India faces to protect our heritage weaves?
Our biggest need is businessmen/women who understand the intricacies of handloom and what it takes to run a successful business. Another hurdle is rampant copying. So much goes into bringing out new designs, techniques and concepts which unfortunately, get copied overnight, instantly killing the market.

Which three weaves top your personal list?
Maheshwari for its simplicity of texture and design, Jamdani of Andhra, Bengal and Benares for flexibility of the technique and lightness of the textile, and Patan Patola for the richness and ease of being able to wear it anywhere, anytime.

P.S: Look up Vaya here.
Image credit: Vaya Weaving Heritage

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